Then there are genres most companies don’t even want to consider, the principal of which tend to be historical pieces, and they all have their reasons. Studios want to buy product and put behind the scenes people who have worked successfully in that type of product before, so even producers get typecast. So many inexperienced people in our industry think artists are the only people who get pigeonholed. Production companies specialize in specific genres, be it comedy, horror, or action. Genre has gone from a form of simplification to a strict pinpointing of demographic and market appeal. It’s important to note that it wasn’t always that way.
Genre tells a studio how they will sell your idea.
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How you turn a feeling and a statement into a movie is through the marketing tool of genre.
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Most important to those who finance movies, the exact genre tells studios how to sell the movie and helps determine to whom (through demographics). It conveys more than just the style of the film. Genre establishes a mood, color, and tone for the reader (audience) of that story. Think of it as sunshine through a kaleidoscope. It takes that light of inspiration from the premise and allows the writer to shine it through a specific lens. Meanwhile, genre allows the writer to choose how to relay that message. It fills a story with passion and meaning. Nobody in the world is stopping you. I do this all the time between writing gigs and drafts. I have writing samples now in most genres. So, write something different if that's what you want to do. A lot of stars need to align to make it happen. Now, I’m sure it didn’t hurt that JK Rowling was a huge fan of his film The Fabulous Baker Boys, and it likely helped that he was nominated for Best Adapted Screenplay at the WGA, Golden Globes, and Academy Awards for Wonder Boys just prior. That said, it’s illogical for even WGA writers to get that kind of latitude from Hollywood executives. If it wasn't, Steve Kloves wouldn’t have been selected to write seven of the eight Harry Potter films. I should also mention that once in a long while, this common genre-specific hiring practice is broken. For us, we just put a little time aside and do what we do best. For them, it requires a significant investment.
It's not the same for actors or directors who wish to change direction. If feeling pigeonholed ever bothers a writer, writers can write their way into new territory at any time. Therefore, it makes sense and is smart business." I don’t disagree with this argument some writers make, but it will not change how executives think. It's like asking, "Why do they keep putting people like Jim Carrey, Will Farrell, Ben Stiller, Jack Black, and Adam Sandler in comedies?" The answer is, "Because they have proven they're good at it. Screenplays are all written in the same structure, and all flawed characters can be created the same way regardless of a story’s tone. A screwdriver is still a screwdriver, whether Phillips or flathead. Now, I know those of us that studied screenwriting in college can write in any genre it’s just a matter of tool selection. Many screenwriters want to know why Hollywood needs to define them by genre. These are the same exact stories.Īddressing the argument, "But I don't wanna write only one genre!" Eventually, he protects them against his own kind. The outsider falls in love with the woman as he also falls in love with her culture and its people. During the second act, a female of that indigenous tribe, against her own initial personal wishes, is ordered to serve as liaison to the soldier and educates him in their ways. Both films tell the tale of a soldier from an invading force with superior weaponry expanding into an epic, new frontier. For example, the story of western colonization unjustly eradicating indigenous cultures can be seen through a historical genre like Dances with Wolves or science fiction as seen in Avatar. Only the writer can figure out which mood best makes their case and how they wish to make it. While some premises might fit better into a specific genre, other heartfelt premises can be told through any genre lens. Once I have selected a premise (the hypothesis I want my script to communicate) and brainstormed situations to argue it, it’s time to start imagining how it might look in different genres.
Genre allows us to identify, classify, and segregate the styles of storytelling before going into the complexities and details of genre classifications and what they mean.
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